#019 The Bane of the Seas

Flee from the wicked wrath of the Bane of the Seas: The dreaded purple Squid!!
In vain bearded seamen have tried to drive the harpoon home. This vile creature who lurks the foaming deep in search of treasure-laden vessels will stop at nothing to satisfy his lust for gold and human flesh!

I created the waves using custom brushes in Illustrator. Good friend Squid was also created with the same technique, and all was submitted for last weeks assignment. I can now sleep with the peace of mind that my assignment is completed, and you cannot sleep for fear of groping tentacles in the murky abyss.

#018 Champignon

A beautiful specimen pushing up through the black dirt and pine needles. And no, it probably is not edible, however lawn gnomes have been known to frequent them. Ink washes & splatters in Illustrator.

One of my experiments for this week's assignment in WNM 105. I may be able to come up with something better, but so far this is the best I've got. I thought it was very pretty.

#017 King Ottokar's Sceptre

This is my beloved copy of King Ottokar's Scepter by Hergé in his Adventures of Tintin series. It is the first Tintin book that I had ever seen. My mom bought it for me when I was about seven or eight, and I loved it. I devoured the story, and of course the pictures. As a kid, I never really read comic books (and still don't as a general rule). But the Tintin albums were different than just comics, they were realistic, and far more adventurous than superhero stories. The vehicles, clothes and places were drawn from real life.
These days my Tintin collection has grown to include about eight or nine different albums, and a pane of commemorative stamps from Belgium. I hope to someday create graphic novels that draw from that same vein of realism and drama. Sequential art is definitely an acquired skill. In its finest form it's more like watching a movie on paper. And Hergé certainly mastered that.

#016 Tintin Inked Panels

These are uncolored ink panels from King Ottokar's Sceptre one of the Tintin books by Belgian artist Hergé. I love his artwork, but this is the first time I have seen the bare inkwork. His lines are so precise and fine. What great stories! I found the link to these over at Agent44. Check out the brand-new Inktober book while you're there! I have got to get a copy...

#015 New Yorker Magazine

One of my dreams as a professional Illustrator/Designer is to do a New Yorker cover. The New Yorker is mostly a literature magazine that (I guess) is supposed to cover life in New York City and feature witty (and sometimes liberal) literature and articles. But they are probably best known for their black & white cartoons nestled between the words of each issue.

The covers stand alone as great works of art. They always use the most powerful illustrations that are just on the border of being cartoony - without becoming cartoons. The covers can be an insane mix of subtle humor, seriousness, joy, grief, pain, and vibrant life in one simple understated image.

This week's cover (which I was alerted to on the great Lines & Colors) is no exception. We see trick or treaters with their masks, while their parents wait for them with ghostly masks of their own on - the glow of their cell phones. It really portrays life as it is - we are attached to our gadgets, and they have become a part of us. In a way it is beautiful though - for that brief moment when we take in the cover we can laugh at ourselves. We see how silly we are, we are all just trying to be something we aren't in digital worlds where we only exist in binary code, wearing our masks. For a brief moment, we want to be free from those cold LCDs. But we go on back to our broadband lives - and we miss the good stuff.

Let's close the gadgets, let's turn off the computer, let's turn off the iPod. Let's get the pencils to the paper, let's talk to real friends. Let's shuffle through the autumn leaves and get lost in the fog of November and the magic of being real.

#014 The Lepidopter

Last night I discovered a very beautiful painting by James Gurney of Dinotopia fame. It is an amazing painting blending imagination & realism so well that you can feel this Lepidopter taking off into the night sky. With you in it!
As anyone who knows me well can attest, I have been a big fan of Mr. Gurney's work since I was very young. I was thrilled when he left me with the kind encouragement that follows on his blog:

Thank you very much Mr. Gurney. I'll certainly try. (Spectrum is an annual album of imaginative art that features artists' work from all around the world).
Go to http://gurneyjourney.blogspot.com to see more great art like this, and to get a peppy dose of artistic instruction and inspiration.

#013 Tea Anyone?

Trying out some logotype ideas for some organic tea packaging. Any favorites out there?

#012 New Blog Banner

Just changed my Blog Banner, hope everyone likes it. The design features a drawing of a Pappenheimer Rapier (whatever that is) that I drew here a while back. Hope to post more drawings soon. Have a great week!

#011 Magazine Cover (Part 3)

VECTOR LIFE Magazine - on Newsstands now!
_______________________________

This afternoon I completed my Midterm project for CANM 105 Design Technology. After completing my vector tracing (see posts #008 & 009) I proceeded to design the type layouts and background, using only a subtle gradient.

I had more progress pics, but I'm having trouble uploading them. Anyway, that's about it. I think my favorite thing about the design is the type treatment. I really felt like it was dynamic. Now that I think about it, the colors are sort of fall-ish. I guess that's good for an October issue!

#010 Rock Harder

Rock Harder by Eleanor Aarts.

Rock harder. Everybody needs to.

More from my midterm project soon, meanwhile I'm hard at work.

Have a good weekend!

#009 Magazine Cover (Part 2)

Okay, now that I've got my shirt done, here's what it looks like. The Headless Horseman, right? Notice how I've carefully traced the stripes on the shirt, and how this makes the outlines very defined without tracing the rumples in it.

______________________

Now I've began to work on my head. One bad thing about this project is that I have to carefully scrutinize every detail of my face. Let me tell you, it's humbling.

I've kind of got a rough outline here, and basically I'm trying to capture the defining details of the image without getting bogged down with minutia. Also, I want to start to define the highlights & shadows on my face by making them into vector shapes as well. This is hard because the come out looking solid, and not very transparent like real shadows and highlights.

________________________

In this image, you can see the highlights on my nose & forehead. I'm trying to get just a basic outline of where the light is hitting it. I used a flash photograph in broad daylight to kind of really get some strong light. This helped me separate the headshot from the background, and capture the light and shadow better.

At this point I'm kind of looking like Michael Jackson, but I'll eventually get the light like I want it, and substitute some better colors. All the colors are kind of placeholders until the end, when I'll fine-tune the colors a little more.

Next: Magazine Cover (Part 3)

#008 Magazine Cover (Part 1)

On Tuesday I officially entered Module 5 of Design Technology. Upon entering it, I discovered that our assignment would also be our midterm project. We have two weeks to complete this, whereas usually we have until the next Monday. En lieu of our regular assignments, we will be working on this.

The assignment is to design a magazine cover for the fictional magazine Vector Life. I've been given industry-standard specs to work by as I complete the assignment.

So, the professor wants us to use a vector graphic of ourselves (self-portrait). We're supposed to use this as the main image in the cover. When I got home this afternoon, I did a little photo shoot. In this screenshot, I've got the JPEG in Photoshop, and I've resized it to 50 pixels per inch.

 

Here you can see my workspace in Adobe Illustrator, and as you can see, I'm already hard at work using the Pen Tool to create outlines of the stripes on my shirt. This is done by clicking wherever you want a point, and then clicking again to get another point. Then you use something called "Bezier Handles to make curves in the line that accurately form into just about any curve you can imagine. It's time consuming, but the results are really nice. Also, I've applied a clipping mask around the outline of myself. I think I'll turn that off right now for expedience' sake.

In this image, I've got my tie outlined (I like my tie!) and we've got sort of a placeholder color going here so I can see where I've worked. I think you can also see some points and Bezier handles there in the lower right fold in the tie in red. 

Coming up Next: Magazine Cover (Part 2)