Showing posts with label Children's Literature. Show all posts
Showing posts with label Children's Literature. Show all posts

Thursday, February 26, 2015

The Fox Merchant

The Fox Merchant

Hi there folks! If you're reading this, you're probably aware that this is the first post I've done since October of last year! I miss my old blog, and I've neglected it. I hope to post some more things on here in the future. I'm in the process of making new art, negotiating future projects and staying busy. But that's no excuse to do some drawings here and there and share them with you! 
This little guy was suggested by a follower of mine on twitter, and I enjoyed drawing him. It's just a doodle I did in my Moleskine sketchbook. I then scanned it into Photoshop and laid in some values in greyscale with a gouache brush by Kyle T. Webster (I would highly recommend his brushes, they're excellent!) 

I'm wanting to add more kid lit characters to my portfolio and my coming website (stay tuned for that), and I can envision this being used for an interior for a magazine or chapter book? Anyway, it's a start! So until next time, thanks for reading!

-Will


Sunday, July 6, 2014

Story Warren - Guest Illustration


Hi there gang! Here's a quick blog post to tell you about a thing I did a few weeks ago - an illustration for Story Warren, a website devoted to fostering children's imagination through storytelling. You may have already seen the story that ran on June 27th, but if you'd like to check out the full post you can find it here.

It was a super fun piece to work on, and I really have to thank Zach Franzen for not only asking me to do the piece, but also providing some excellent art direction! Looking forward to possibly doing more for Story Warren in the future.

In the meantime, I have got lots of things going on, like potential new projects in the works! I'll try my best to keep you updated with new work - I know the blog has been dormant for a while. I just returned from a 10-day tour of Scotland as well, which was magnificent and life-changing! I'm hoping to post some photos from that just as soon as I can, but for now, check out this blog for a general idea of what we did: http://www.douglasbondbooks.blogspot.com/

Tuesday, March 4, 2014

Black Chow - Charcoal Study


Today was a pretty difficult day. Just a lot of discouragement. In life, it's easy to lose your perspective and focus on things that don't particularly matter. Today was one of those days for me. I'm in the middle of a season of life where I am trying to find my direction as an artist. The danger in knowing what you want to do as an artist is the fact that you think it will come instantly. Of course,
that's never the case. What you will achieve will be the result of hard work and perseverance. 
So on days like today, when the art doesn't flow as freely out of my brain, my first reaction is to assume that I won't make it because a particular drawing isn't working. But that of course is nonsense. 

Sometimes you just need to reorder your priorities. And don't quit or give up just because it's not easy! There's something to be said for taking a break, but don't use that as an excuse to not work hard.
So, after some false starts, I finally knocked out this little drawing, and everything was okay again in Will's illustration world. (Haha).

Here is a study of a black chow for an illustration that I'm doing for an upcoming book project. Did this one in charcoal in my Moleskine sketchbook. I've been using charcoal more lately because I like the ease with which it creates deeper values, and the softness of the application.
Animals are so much fun to draw! It seems like every time I draw one I enjoy it immensely. ADs! Hire me to do your animal projects! ;)

And finally, I thought I would share this album with you. I've played it twice today, and it really was fantastic. I've never been a huge fan of Beck, but this latest album is great music to create to. Give it a listen:

Friday, January 3, 2014

A New Year, and a New Outlook


This week has been filled with introspection and self-evaluation. I imagine you would be hard-pressed to find anyone who's week hasn't been filled with introspection and self-evaluation, but I guess that's beside the point. What I'm really getting at is that although last year was a huge year for me in artistic growth and progress, I feel like I have a huge amount to learn before I can even begin to do illustration for a living.


In 2013 I completed my first-ever printed sketchbook. It was a big accomplishment for me. As a project, it was primarily a study in conceiving and executing a project from start to finish. I was thrilled to have a printed collection of my drawings in hand. It made me realize that seeing my work in print is one of the things that really makes me happy. Just the fact that my pictures are getting out into the hands of people and making them happy was a huge accomplishment to me.


That being said, there were many things about the project that felt hurried. While the drawings represented my personal voice as an artist, there were still elements about the drawings that felt forced. Areas of skill that still feel shaky. Foundation work needed where there was none. Now I'm not saying this to completely shoot down my Sketchbook. But I want to make it clear that although it was a great accomplishment for me personally, I think it was a wee bit... premature.


In recent years, I've been forcing myself to create finished pieces. Planning full-scale works has been beneficial, but all too often I've found myself working through a piece and figuring out the basics as I go, simply hoping to come through at the end with a good piece.

What I find lacking in my work is mainly due to the absence of regular practice. Meaning, every time I do a finished painting, I realize that there are things that I am inexperienced at that are contributing to the difficulty of the piece. A finished painting is not the place to learn anatomy or color theory. Yes, I will come out of that piece knowing more about it, but I will actually be doing myself a disservice by putting pressure on myself to perform without rehearsing.


So, I feel like the last week has given me an opportunity to reflect and identify needs in my whole approach to art-making. While I still feel like I need to be creating new pieces, and building my portfolio, I definitely need to spend much more time improving my skills along the way.

Since I am primarily self-taught, it is up to me to find the best ways to practice skills like proper use of color, anatomy, image composition, and new materials and techniques. My question is: how can I consistently maintain a habit of practice in these areas? What are specific ways I can bring my work up to a standard that I'm pleased with?

I intend to start answering some of these questions myself, but I think I'll be also reaching out to other illustrators, art directors and you for answers! What are some ways you commit to daily practice? What skills do you find essential in your own work? Feel free to voice your opinions in the comments or on Twitter or Facebook. I'm interested in hearing your ideas for goals and ideas for making 2014 the most productive year for illustration that we can!

As always, Onward and Upward, and I wish you all the best in your New Year!

-Will

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And finally: I offer these brief articles that I read today relating to this topic of New Year's goal-setting, improvement, and resolutions that I greatly enjoyed and benefited from. I hope you will too.

http://skinnyartist.com/some-is-better-than-none/ - A great article on using your time wisely to accomplish your artistic goals.

https://medium.com/p/1fc47dd4141 - "Do and Do Not" A pragmatic method for self-improvement by Lamp Post Guild co-founder Mark Johnson

http://eca-la.com/blog/23/12/2013/whats-in-store-for-2014 - Mike Yamada & Victoria Ying - I recently discovered their art and their informative blog. They are committing to teaching and mentoring through podcasts, blog articles, and Q&A's this year, and their theme is helping artists maintain their New Year's Resolutions.




Monday, December 23, 2013

Carolers Process: Finish! (And a Merry Christmas to All of You!)

Tidings of Comfort and Joy

Here we are - the final! 
When we left off last post, I had just begun adding color to the painted elements that I had composed in the image. Now, many layers later, I've arrived at my finished piece. The basic process is just a lot of tweaking, color choices, adjustment layers (Overlay for the light areas) and texture brushes.

I hope it looks okay here on the web - I had some issues making sure that the color translated well to the web version (I painted it in CMYK, so I ended up exporting it as a PNG to make sure all the color information was intact.) I really enjoyed exploring this new method of working, and to be honest, I've learned a lot with this painting, and you'll be seeing much more of this process from now on!
 I'm really excited about this piece, and I look forward to exploring new territory in the New Year.


  So, I wish you all the Merriest of Christmases. I'm thankful for all of you and for this great gift of Illustration that we can share with each other!

 

PS: Today I opened my mailbox to find a lovely gift from illustrator Joe Sutphin! Inside were these beautiful signed prints and a kind note. Joe is a fantastic illustrator, and if you aren't familiar with his work, be sure and check it out here: http://joesutphin.blogspot.com/

Saturday, November 23, 2013

New Directions: Part I

Here's a quick painting I did this afternoon. It took me around 2 hours. 

Lately, I've been very inspired by illustrators like Chuck Groenink, Meg Hunt, and Jon Klassen who create very texture-driven, more simplistic illustrations. This method of creating an image is really interesting to me, and I am really eager to explore the relationship between simple drawings and hand-painted textures and the final Photoshop image.

Overall, I'm pleased with the direction this image took. It's got a little more playfulness, color and texture, and that's what I'm aiming for. I think it's good to try to stretch yourself in new directions in your own work, and that's what I hope to do with the next several pieces. I hope to post more of these in the next week or so as I continue to explore new methods of working.


Saturday, November 9, 2013

Photoshop Character Study: Professor

Decided to go in a bit of a different direction with this one.

Photoshop allows me to really play around with shapes - I can endlessly create shapes on separate layers, then pose and adjust them until I get a finished product I'm pleased with. 
I'm always really nervous when the topic of "style" comes up, but I really have a huge interest in doing kid's books, so this particular "style" is something I'm toying around with. I'll do a super fast sketch in my sketchbook to get the basic feel of the character, then start immediately composing on the computer. It's a fast and fun process...

Also, I'm interested in playing with color more lately, and Photoshop offers great tools for that. You may be seeing a lot more of this type of work in the future. Stay tuned!
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P. S. : ALSO! Sketchbooks have been ordered! Watch this space for more information on getting yours in the next week or so!

Tuesday, August 27, 2013

Beauty & the Beast: Watercolor

Taking a quick break from some LPG sketchwork to post my progress on the Beauty & the Beast piece that I worked on over the course of the TLC Workshop weekend before last. This is the final watercolor, with just one or two adjustment layers in Photoshop to bring life back into the scanned image.

I'm pretty pleased with the overall painting. Personally, I feel like this is one of the best "finished" watercolors I've ever done, although there is a great deal of room for improvement here. I really need to work on my application of the media - I tend to just mush the paint around with no objective for the strokes. In future paintings, I'll be trying for smoother layers of color.

The next step will be digital adjustments. Happily, I think I've gotten much more color information down in the painting than in the Winter Dragon one I did last time. Hopefully that will make the digital stage much easier!

Anyway, that's about it. What do you think? Keep at it, or go into a career in the Fast Food industry?

(JUST KIDDING)

Saturday, August 3, 2013

Buried Treasure - Illustration Process


Here's a quick piece I did. I've been really inspired lately by children's book illustrators like Jon Klassen and Isabelle Arsenault. Their work has such amazing texture and simplicity. I love it. I'd like to explore this type of work more fully.

I took a different approach. This guy was doodled in my sketchbook. I took a piece of watercolor paper, and painted all the different pieces I knew it would take to create him. Here's that page:


I then scanned all of this into Photoshop, and put every piece on its own layer. By doing this, it allowed me to maneuver all the pieces into place, re-size them and get it how I wanted it. A few color adjustment layers, and I was done! Below is a little .gif animation that shows the process:

What do you think of this style? I'm eager to explore this technique further for use in children's books, etc. Hope you like it!

Saturday, July 6, 2013

Carrots!

Here's a little piece I put together over the July 4th holiday. After all the winter stuff I'd been doing, I thought something a little summery would be nice. Just pencil in the Moleskine and Photoshop. Mostly focusing on tight drawing and good color lately. Trying to expand my Children's Literature portfolio, but really I think I just drew a beardless dwarf growing carrots. I mean look at this guy's legs! Anyway, let me know what you think.