Thursday, October 2, 2014

Inktober Day 2: Cor - Outcast of the Royal House of Pembroke

Cor - Outcast of The Royal House of Pembroke


Inktober Day 2 - I was struggling to make myself work on today's drawing - you know the feeling. You get home from a long day of work at your day job, or you've been busy with other artwork. It's hard to make yourself take time to bring a personal vision to life. But it felt really good to get this little guy drawn. He's a character I've been honing in my sketchbook for a while, and this is his debut!

Cor - Outcast of The Royal House of Pembroke. He's Bartholomew's traveling companion and is very handy with a sword. They seek adventure and strange lands on the Road!

Wednesday, October 1, 2014

Inktober Day 1: The Pilgrim


The Pilgrim - Bartholomew by Name, Son of the Road

Inktober is upon us again! I can't believe this is the 4th year I've participated in Inktober. I've been doing some sketching up to this point, so I've got a few ideas to draw from in the next few days. Honestly, this really feels more like a warm-up image - I feel pretty rusty, and I'm afraid it shows. Also, I'm using mainly Micron pens this time around, so I'm planning to draw a little smaller maybe? I'll be playing around with technique in the next few days, so hopefully I'll hit my stride. 

Anyway! Here you go. Number one - looking forward to tomorrow's already!
I'm enjoying seeing everyone's awesome drawings (they're so great!). If you'd like to share yours with me send me a link! I'd love to see them.

Tuesday, September 30, 2014

Recent Drawings!


 

Well, it's been a while since my last post! Here's a quick photo dump of some drawings I've done in the past couple of months. To be honest, I've had a difficult time keeping myself drawing. But I'm trying to get into more personal work. From the top: Davy Crockett, Girl with an Umbrella, and Smudge the Rabbit from a recent Story Warren post.

Enjoy, and look for more posts very soon. Because INKTOBER is upon us!

Best,
-Will

Sunday, July 6, 2014

Story Warren - Guest Illustration


Hi there gang! Here's a quick blog post to tell you about a thing I did a few weeks ago - an illustration for Story Warren, a website devoted to fostering children's imagination through storytelling. You may have already seen the story that ran on June 27th, but if you'd like to check out the full post you can find it here.

It was a super fun piece to work on, and I really have to thank Zach Franzen for not only asking me to do the piece, but also providing some excellent art direction! Looking forward to possibly doing more for Story Warren in the future.

In the meantime, I have got lots of things going on, like potential new projects in the works! I'll try my best to keep you updated with new work - I know the blog has been dormant for a while. I just returned from a 10-day tour of Scotland as well, which was magnificent and life-changing! I'm hoping to post some photos from that just as soon as I can, but for now, check out this blog for a general idea of what we did: http://www.douglasbondbooks.blogspot.com/

Tuesday, March 4, 2014

Black Chow - Charcoal Study


Today was a pretty difficult day. Just a lot of discouragement. In life, it's easy to lose your perspective and focus on things that don't particularly matter. Today was one of those days for me. I'm in the middle of a season of life where I am trying to find my direction as an artist. The danger in knowing what you want to do as an artist is the fact that you think it will come instantly. Of course,
that's never the case. What you will achieve will be the result of hard work and perseverance. 
So on days like today, when the art doesn't flow as freely out of my brain, my first reaction is to assume that I won't make it because a particular drawing isn't working. But that of course is nonsense. 

Sometimes you just need to reorder your priorities. And don't quit or give up just because it's not easy! There's something to be said for taking a break, but don't use that as an excuse to not work hard.
So, after some false starts, I finally knocked out this little drawing, and everything was okay again in Will's illustration world. (Haha).

Here is a study of a black chow for an illustration that I'm doing for an upcoming book project. Did this one in charcoal in my Moleskine sketchbook. I've been using charcoal more lately because I like the ease with which it creates deeper values, and the softness of the application.
Animals are so much fun to draw! It seems like every time I draw one I enjoy it immensely. ADs! Hire me to do your animal projects! ;)

And finally, I thought I would share this album with you. I've played it twice today, and it really was fantastic. I've never been a huge fan of Beck, but this latest album is great music to create to. Give it a listen:

Monday, March 3, 2014

Sketch Dailies: "Selfie"


Today's Sketch Dailies topic was "Selfie". I chose to do a portrait in the style of Hergé, the creator of the Belgian comics series "Tintin". His work has a very flat, linear quality. I adored his books as a kid, and still do.

I completed this 100% digitally in Photoshop (CS6! Yay, I upgraded!) and the background is a scan from a vintage Childcraft book.

Be sure and pick up a Tintin book and read it sometime! You won't be sorry. Here, see for yourself: http://us.tintin.com/

Wednesday, February 26, 2014

Daily Sketch


At the risk of posting too much, and exposing myself to ridicule, here is a recent sketch I did.

I really want to start doing a drawing every day. To improve my overall drawing ability, especially in the area of figures, faces & hands. Of course, my lazy human self would rather gaze into an unending Twitter feed, or go eat junk food. But if I can manage to pull myself away from all the dreadful distractions of this modern era we live in, I sometimes manage to do something half decent in my sketchbook.

It had been far too long (shamefully) since I drew a portrait from photo reference. So I felt pretty rusty and (full disclosure) I stretched this one out over a couple of days. I would come back and adjust things here and there. Overall I liked it. Still not sure about that left eye though...

And if you're wondering why this thing isn't COMPLETELY RENDERED, then I'll refer you to my friend and colleague the great Mr. Gregory Manchess: "On Knowing When to Stop"

Hope to post more Daily Drawings in the future!

Monday, February 24, 2014

Pecos Bill: Comic Book Cover Process



Right after Christmas I was invited to contribute a variant cover to the Pecos Bill kid's comic book series created by Brian DuPont. Brian's Pecos Bill series explores the possibility that the legendary Pecos Bill lived throughout the centuries, and still has tall-tale adventures in the modern era. Throw in a steam-powered jet-pack named Widowmaker (created by inventor Nikola Tesla), and you have a pretty exciting adventure series.

The idea really appealed to me, so I went to work on a cover for Issue #3. The style I ended up with was a lot different than the work I usually do, but I was pleased with the finished product. I painted it from start to finish entirely in Photoshop.

Here are some progress shots to give you a small taste of the way this thing was put together:

I started out with a really tiny thumbnail sketch or two, and a digital color comp (that's pretty important in any color work I do. Really serves as a guide when I go into the painting stage).


The linework, completed digitally. This was a new step for me, but digital comic art linework is actually pretty great, especially if you have a brush that has a bit of variance and texture in it to simulate a real pen. I used one from this set by Shaun Bryant: https://gumroad.com/shaunbryant 


This is a pretty big jump from the last image, but hopefully you sort of get the idea. I start out with painting large areas of flat color. Then I use those areas as selections in order to paint details, more color, and texture over the flat color. The background is made up of some gradients, spatter brushes (for stars) and hand-painted comets! (soft brush+texture brush for tail). Nothing fancy!

So there you have it! I had to complete the entire piece in about 3 weeks in order to meet the deadline, so that was a challenge. I look forward to exploring comics further in the future. 

In the meantime, consider contributing to Brian's Kickstarter campaign - you can receive a print copy of my cover if you donate a little more! Check out the campaign here: 


And you can learn more about Brian and his comics here: 


Thursday, February 20, 2014

Fisherman's Song


As you may recall, last year I completed a new series of four new drawings to add to my portfolio. These were also included in the sketchbook "Drawing the Sword" which I also released last year. As part of that effort, I began coloring these pieces digitally. This was the only one I completed, but I really enjoyed the process, and I love the way the colors came out on it. I also submitted this piece, along with my Winter Dragon piece to the Spectrum Annual this year. It was my first submission to the publication.



Above is a bit of the progress that took it from basic idea to finished drawing. Unfortunately I don't have any WIP shots of the coloring process, but basically it involved large areas of flat color, then working my way up to the highlights and details with some various color adjustment layers over the finished color.

I wanted to convey sort of a carefree summer feeling with this piece. My brothers and I spent countless summer days exploring creeks and woods together when I was a kid. It's good to get out and explore your world. It makes you feel truly alive. That's what this Fisherman is up to with his turtle friend. They're just out there to enjoy the fresh air and to have a good time with each other!

Hope you like it!

-Will

Wednesday, February 12, 2014

Sketch Dailies: Sherlock


Hi everyone! It's been too long since my last blog post, so I apologize. Here is a quick thirty minute sketch I did today for "Sketch Dailies", a sketch challenge over on Twitter. Sherlock Holmes has long been a favorite of mine. I love A. Conan Doyle's stories, and I have several different volumes of Holmes' adventures. I will occasionally break them out and dive into the London Fog along with the sleuth and the ever faithful Dr. Watson (preferably on rainy, windy nights like tonight!) Anyway, this was just a super fast drawing in my sketchbook with some Photoshop icing on top. Also, you'd be surprised how much contrast and mood you can get using only 3 colors...

In other news, I've been working on projects that I haven't had time to post about (more soon maybe?). I just completed a variant comic book cover for an indie comic artist, which was a lot of fun. I'm in negotiations to begin illustrating a collection of short stories for a local author. I'll be doing some interior illustrations along with a full-color cover. It's going to be a bit time-consuming, and the deadline is in April, so I'm eager to get started soon. 

And finally, I submitted to Spectrum for the first time! It's doubtful that I'll be accepted into the annual book, but the act of submitting was a big deal for me. I submitted two pieces that I did last year. I'll keep you posted on any news about that.

Okay! Well, glad you stopped by! Hope to have more art up soon. Now, back to painting! 

Cheers,

-Will

Saturday, January 11, 2014

Bird of Paradise - Experiment in Gouache

A quick color experiment in gouache from the other night. Didn't have a specific purpose in mind for this one, except to try out the new gouache set I got for Christmas! I absolutely love gouache. I think I'll be using it much more in the future. It's easy to achieve bold color with, and you can work in some cool textural effects. However, this style is certainly not original to me, and I don't know if it's a style I really have any business working in. Anyway, what do you think?

In other news I visited this amazing Donato Giancola exhibit in Huntsville, AL today. It was terrific, and I couldn't believe how nearby an exhibit of this caliber was! It was definitely worth the trip. If you're going to be in or around Huntsville before January 19th, be sure and check it out.

Friday, January 3, 2014

A New Year, and a New Outlook


This week has been filled with introspection and self-evaluation. I imagine you would be hard-pressed to find anyone who's week hasn't been filled with introspection and self-evaluation, but I guess that's beside the point. What I'm really getting at is that although last year was a huge year for me in artistic growth and progress, I feel like I have a huge amount to learn before I can even begin to do illustration for a living.


In 2013 I completed my first-ever printed sketchbook. It was a big accomplishment for me. As a project, it was primarily a study in conceiving and executing a project from start to finish. I was thrilled to have a printed collection of my drawings in hand. It made me realize that seeing my work in print is one of the things that really makes me happy. Just the fact that my pictures are getting out into the hands of people and making them happy was a huge accomplishment to me.


That being said, there were many things about the project that felt hurried. While the drawings represented my personal voice as an artist, there were still elements about the drawings that felt forced. Areas of skill that still feel shaky. Foundation work needed where there was none. Now I'm not saying this to completely shoot down my Sketchbook. But I want to make it clear that although it was a great accomplishment for me personally, I think it was a wee bit... premature.


In recent years, I've been forcing myself to create finished pieces. Planning full-scale works has been beneficial, but all too often I've found myself working through a piece and figuring out the basics as I go, simply hoping to come through at the end with a good piece.

What I find lacking in my work is mainly due to the absence of regular practice. Meaning, every time I do a finished painting, I realize that there are things that I am inexperienced at that are contributing to the difficulty of the piece. A finished painting is not the place to learn anatomy or color theory. Yes, I will come out of that piece knowing more about it, but I will actually be doing myself a disservice by putting pressure on myself to perform without rehearsing.


So, I feel like the last week has given me an opportunity to reflect and identify needs in my whole approach to art-making. While I still feel like I need to be creating new pieces, and building my portfolio, I definitely need to spend much more time improving my skills along the way.

Since I am primarily self-taught, it is up to me to find the best ways to practice skills like proper use of color, anatomy, image composition, and new materials and techniques. My question is: how can I consistently maintain a habit of practice in these areas? What are specific ways I can bring my work up to a standard that I'm pleased with?

I intend to start answering some of these questions myself, but I think I'll be also reaching out to other illustrators, art directors and you for answers! What are some ways you commit to daily practice? What skills do you find essential in your own work? Feel free to voice your opinions in the comments or on Twitter or Facebook. I'm interested in hearing your ideas for goals and ideas for making 2014 the most productive year for illustration that we can!

As always, Onward and Upward, and I wish you all the best in your New Year!

-Will

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And finally: I offer these brief articles that I read today relating to this topic of New Year's goal-setting, improvement, and resolutions that I greatly enjoyed and benefited from. I hope you will too.

http://skinnyartist.com/some-is-better-than-none/ - A great article on using your time wisely to accomplish your artistic goals.

https://medium.com/p/1fc47dd4141 - "Do and Do Not" A pragmatic method for self-improvement by Lamp Post Guild co-founder Mark Johnson

http://eca-la.com/blog/23/12/2013/whats-in-store-for-2014 - Mike Yamada & Victoria Ying - I recently discovered their art and their informative blog. They are committing to teaching and mentoring through podcasts, blog articles, and Q&A's this year, and their theme is helping artists maintain their New Year's Resolutions.